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Out of all the things we do, capturing the moment on film as-if-you-were-there, in real-time — not like a fly on the wall, but like a honeybee flying to find the best angles and vantage points — is what we love to do the most and might possibly be the best at.
Our approach is panther-like, moving swiftly yet smoothly when necessary to get the shot, holding absolutely still and laser-focused when the moment calls for it. Our style is intimate and immediate, our point of view active. There's a delicate balance we strike, capturing a performance or an artist without interfering or distracting, making the smallest footprint possible while covering the most ground.
It's a dance, largely non-verbal, between artist and audience and our inquisitive eye, using the camera lens to weave all these stories together to give the future viewer the sense of how it felt to be there. To travel in time and be teleported to the place, transported by the experience.
See examples of some of our best work below.
Out of all the things we do, capturing the moment as-if-you-were-there, in real-time, not like a fly on the wall, but like a honeybee flying to the best angles and vantage points is what we a) love to do the most and b) might possibly be the best at. If you couldn't be there when it happened, take a look through our eyes and be transported. Click here to see examples of some of our best work.
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